The Woman at Seven Brothers (part 4/4)

I got another match, sir, and scratched it on the brass. I gave it to the first wick, the little wick that’s inside all the others. It bloomed like a yellow flower. “I have?” I yelled, and gave it to the next.

Then there was a shadow, and I saw she was leaning beside me, her two elbows on the brass, her two arms stretched out above the wicks, her bare forearms and wrists and hands. I gave a gasp:

“Take care! You’ll burn them! For God’s sake—”

She didn’t move or speak. The match burned my fingers and went out, and all I could do was stare at those arms of hers, helpless. I’d never noticed her arms before. They were rounded and graceful and covered with a soft down, like a breath of gold. Then I heard her speaking close to my ear.

“Pretty arms,” she said. “Pretty arms!”

The Woman at Seven Brothers (part 3/4)

She went down the stair into the well, winding out of sight, and as long as I could see her, her eyes were watching mine. When I went, myself, after a few minutes, she was waiting for me on that first landing, standing still in the dark. She took hold of my hand, though I tried to get it away.

“Good-by,” said she in my ear.

“Good-by?” said I. I didn’t understand.

“You heard what he said to-day—about Kingdom Come? Be it so—on his own head. I’ll never come back here. Once I set foot ashore—I’ve got friends in Brightonboro, Ray.”

I got away from her and started on down. But I stopped. “Brightonboro?” I whispered back. “Why do you tell me?” My throat was raw to the words, like a sore.

“So you’d know,” said she.

Well, sir, I saw them off next morning, down that new Jacob’s-ladder into the dinghy-boat, her in a dress of blue velvet and him in his best cutaway and derby—rowing away, smaller and smaller, the two of them. And then I went back and sat on my cot, leaving the door open and the ladder still hanging down the wall, along with the boat-falls.

The Woman at Seven Brothers (part 2/4)

I turned and looked at her sidewise. She was standing by the railing, leaning a little outward, the top of her from the waist picked out bright by the lens behind her. I didn’t know what in the world to say, and yet I had a feeling I ought not to sit there mum.

“I wonder,” said I, “what that captain’s thinking of, fetching in so handy to-night. It’s no way. I tell you, if ’twasn’t for this light, she’d go to work and pile up on the ledge some thick night—”

She turned at that and stared straight into the lens. I didn’t like the look of her face. Somehow, with its edges cut hard all around and its two eyes closed down to slits, like a cat’s, it made a kind of mask.

“And then,” I went on, uneasy enough—”and then where’d all their music be of a sudden, and their goings-on and their singing—”

“And dancing!” She clipped me off so quick it took my breath.

“D-d-dancing?” said I.

“That’s dance-music,” said she. She was looking at the boat again.

“How do you know?” I felt I had to keep on talking.

The Woman at Seven Brothers (part 1/4)

I tell you sir, I was innocent. I didn’t know any more about the world at twenty-two than some do at twelve. My uncle and aunt in Duxbury brought me up strict; I studied hard in high school, I worked hard after hours, and I went to church twice on Sundays, and I can’t see it’s right to put me in a place like this, with crazy people. Oh yes, I know they’re crazy—you can’t tell me. As for what they said in court about finding her with her husband, that’s the Inspector’s lie, sir, because he’s down on me, and wants to make it look like my fault.

No, sir, I can’t say as I thought she was handsome—not at first. For one thing, her lips were too thin and white, and her color was bad. I’ll tell you a fact, sir; that first day I came off to the Light I was sitting on my cot in the store-room (that’s where the assistant keeper sleeps at the Seven Brothers), as lonesome as I could be, away from home for the first time, and the water all around me, and, even though it was a calm day, pounding enough on the ledge to send a kind of a woom-woom-woom whining up through all that solid rock of the tower. And when old Fedderson poked his head down from the living-room with the sunshine above making a kind of bright frame around his hair and whiskers, to give me a cheery, “Make yourself to home, son!” I remember I said to myself: “He’s all right. I’ll get along with him. But his wife’s enough to sour milk.” That was queer, because she was so much under him in age—’long about twenty-eight or so, and him nearer fifty. But that’s what I said, sir.

At the Gate (part 2/2)

The bull-terrier looked at the Airedale for appreciation.

“That’s the way we do it,” he said proudly.

“Yes, but—” the Airedale put his head on one side in perplexity.

“Yes, but what?” asked the guide.

“The dogs that don’t have any people—the nobodies’ dogs?”

“That’s the best of all. Oh, everything is thought out here. Crouch down,—you must be tired,—and watch,” said the bull-terrier.

Soon they spied another small form making the turn in the road. He wore a Boy Scout’s uniform, but he was a little fearful, for all that, so new was this adventure. The dogs rose again and snuffled, but the better groomed of the circle held back, and in their place a pack of odds and ends of the company ran down to meet him. The Boy Scout was reassured by their friendly attitude, and after petting them impartially, he chose an old-fashioned black and tan, and the two passed in.

At the Gate (part 1/2)

A shaggy Airedale scented his way along the highroad. He had not been there before, but he was guided by the trail of his brethren who had preceded him. He had gone unwillingly upon this journey, yet with the perfect training of dogs he had accepted it without complaint. The path had been lonely, and his heart would have failed him, traveling as he must without his people, had not these traces of countless dogs before him promised companionship of a sort at the end of the road.

The landscape had appeared arid at first, for the translation from recent agony into freedom from pain had been so numbing in its swiftness that it was some time before he could fully appreciate the pleasant dog-country through which he was passing. There were woods with leaves upon the ground through which to scurry, long grassy slopes for extended runs, and lakes into which he might plunge for sticks and bring them back to—But he did not complete his thought, for the boy was not with him. A little wave of homesickness possessed him.

It made his mind easier to see far ahead a great gate as high as the heavens, wide enough for all. He understood that only man built such barriers and by straining his eyes he fancied he could discern humans passing through to whatever lay beyond. He broke into a run that he might the more quickly gain this inclosure made beautiful by men and women; but his thoughts outran his pace, and he remembered that he had left the family behind, and again this lovely new compound became not perfect, since it would lack the family.

Asking for What You Want

For the next three weeks, these slots will host material from DailyOM, to complement the Chopra Center Meditation Challenge that kickstarts today.

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Most people don’t always fully realize that we all have within us the ability to cocreate our lives with the universe. So many of us are taught to accept what we are given and not even to dream of anything more. But our hopes and dreams are the universe whispering to us, planting an idea of what’s possible while directing us toward the best use of our gifts. The universe truly wants to give us our hearts’ desires, but we need to be clear about what they are and ask for them.

To ask for something does not mean to beg or plead from a place of lack or unworthiness. It’s like placing an order—we don’t need to beg the salesperson for what we want or prove to them that we deserve to have it. It is their job to give us what we ask for; we only have to tell them what we want. Once we have a clear vision of what we desire, we simply step into the silent realm where all possibilities exist and let our desires be known. Whatever methods we use to become still, it is important that we find the quiet space between our thoughts.

From that still and quiet place, we can announce our intentions to the pure energy of creation. By imagining all the details from every angle, including scent, color, and how it would feel to have it, we design our dreams to our specifications. Similar to dropping a pebble into a pond, the ripples created by our thoughts travel quickly from this place of stillness, echoing out into the world to align and orchestrate all the necessary details to bring our desires into manifestation. Before leaving this wonderful space to come back to the world, release any attachment to the outcome and express gratitude. By doing this daily, we focus our thoughts and our energy while regularly mingling with the essence that makes it possible to build the life of our dreams.

DailyOM