The Woman at Seven Brothers (part 4/4)

I got another match, sir, and scratched it on the brass. I gave it to the first wick, the little wick that’s inside all the others. It bloomed like a yellow flower. “I have?” I yelled, and gave it to the next.

Then there was a shadow, and I saw she was leaning beside me, her two elbows on the brass, her two arms stretched out above the wicks, her bare forearms and wrists and hands. I gave a gasp:

“Take care! You’ll burn them! For God’s sake—”

She didn’t move or speak. The match burned my fingers and went out, and all I could do was stare at those arms of hers, helpless. I’d never noticed her arms before. They were rounded and graceful and covered with a soft down, like a breath of gold. Then I heard her speaking close to my ear.

“Pretty arms,” she said. “Pretty arms!”

The Woman at Seven Brothers (part 2/4)

I turned and looked at her sidewise. She was standing by the railing, leaning a little outward, the top of her from the waist picked out bright by the lens behind her. I didn’t know what in the world to say, and yet I had a feeling I ought not to sit there mum.

“I wonder,” said I, “what that captain’s thinking of, fetching in so handy to-night. It’s no way. I tell you, if ’twasn’t for this light, she’d go to work and pile up on the ledge some thick night—”

She turned at that and stared straight into the lens. I didn’t like the look of her face. Somehow, with its edges cut hard all around and its two eyes closed down to slits, like a cat’s, it made a kind of mask.

“And then,” I went on, uneasy enough—”and then where’d all their music be of a sudden, and their goings-on and their singing—”

“And dancing!” She clipped me off so quick it took my breath.

“D-d-dancing?” said I.

“That’s dance-music,” said she. She was looking at the boat again.

“How do you know?” I felt I had to keep on talking.

The Woman at Seven Brothers (part 1/4)

I tell you sir, I was innocent. I didn’t know any more about the world at twenty-two than some do at twelve. My uncle and aunt in Duxbury brought me up strict; I studied hard in high school, I worked hard after hours, and I went to church twice on Sundays, and I can’t see it’s right to put me in a place like this, with crazy people. Oh yes, I know they’re crazy—you can’t tell me. As for what they said in court about finding her with her husband, that’s the Inspector’s lie, sir, because he’s down on me, and wants to make it look like my fault.

No, sir, I can’t say as I thought she was handsome—not at first. For one thing, her lips were too thin and white, and her color was bad. I’ll tell you a fact, sir; that first day I came off to the Light I was sitting on my cot in the store-room (that’s where the assistant keeper sleeps at the Seven Brothers), as lonesome as I could be, away from home for the first time, and the water all around me, and, even though it was a calm day, pounding enough on the ledge to send a kind of a woom-woom-woom whining up through all that solid rock of the tower. And when old Fedderson poked his head down from the living-room with the sunshine above making a kind of bright frame around his hair and whiskers, to give me a cheery, “Make yourself to home, son!” I remember I said to myself: “He’s all right. I’ll get along with him. But his wife’s enough to sour milk.” That was queer, because she was so much under him in age—’long about twenty-eight or so, and him nearer fifty. But that’s what I said, sir.

At the Gate (part 2/2)

The bull-terrier looked at the Airedale for appreciation.

“That’s the way we do it,” he said proudly.

“Yes, but—” the Airedale put his head on one side in perplexity.

“Yes, but what?” asked the guide.

“The dogs that don’t have any people—the nobodies’ dogs?”

“That’s the best of all. Oh, everything is thought out here. Crouch down,—you must be tired,—and watch,” said the bull-terrier.

Soon they spied another small form making the turn in the road. He wore a Boy Scout’s uniform, but he was a little fearful, for all that, so new was this adventure. The dogs rose again and snuffled, but the better groomed of the circle held back, and in their place a pack of odds and ends of the company ran down to meet him. The Boy Scout was reassured by their friendly attitude, and after petting them impartially, he chose an old-fashioned black and tan, and the two passed in.

At the Gate (part 1/2)

A shaggy Airedale scented his way along the highroad. He had not been there before, but he was guided by the trail of his brethren who had preceded him. He had gone unwillingly upon this journey, yet with the perfect training of dogs he had accepted it without complaint. The path had been lonely, and his heart would have failed him, traveling as he must without his people, had not these traces of countless dogs before him promised companionship of a sort at the end of the road.

The landscape had appeared arid at first, for the translation from recent agony into freedom from pain had been so numbing in its swiftness that it was some time before he could fully appreciate the pleasant dog-country through which he was passing. There were woods with leaves upon the ground through which to scurry, long grassy slopes for extended runs, and lakes into which he might plunge for sticks and bring them back to—But he did not complete his thought, for the boy was not with him. A little wave of homesickness possessed him.

It made his mind easier to see far ahead a great gate as high as the heavens, wide enough for all. He understood that only man built such barriers and by straining his eyes he fancied he could discern humans passing through to whatever lay beyond. He broke into a run that he might the more quickly gain this inclosure made beautiful by men and women; but his thoughts outran his pace, and he remembered that he had left the family behind, and again this lovely new compound became not perfect, since it would lack the family.

The Shadows on the Wall (part 2/2)

That afternoon the three sisters were in the study.

Mrs. Brigham was hemming some black material. At last she laid her work on her lap.

“It’s no use, I cannot see to sew another stitch until we have a light,” said she.

Caroline, who was writing some letters at the table, turned to Rebecca, in her usual place on the sofa.

“Rebecca, you had better get a lamp,” she said.

Rebecca started up; even in the dusk her face showed her agitation.

“It doesn’t seem to me that we need a lamp quite yet,” she said in a piteous, pleading voice like a child’s.

“Yes, we do,” returned Mrs. Brigham peremptorily. “I can’t see to sew another stitch.”

The Shadows on the Wall (part 1/2)

“Henry had words with Edward in the study the night before Edward died,” said Caroline Glynn.

She spoke not with acrimony, but with grave severity. Rebecca Ann Glynn gasped by way of assent. She sat in a wide flounce of black silk in the corner of the sofa, and rolled terrified eyes from her sister Caroline to her sister Mrs. Stephen Brigham, who had been Emma Glynn, the one beauty of the family. The latter was beautiful still, with a large, splendid, full-blown beauty, she filled a great rocking-chair with her superb bulk of femininity, and swayed gently back and forth, her black silks whispering and her black frills fluttering. Even the shock of death—for her brother Edward lay dead in the house—could not disturb her outward serenity of demeanor.

But even her expression of masterly placidity changed before her sister Caroline’s announcement and her sister Rebecca Ann’s gasp of terror and distress in response.

“I think Henry might have controlled his temper, when poor Edward was so near his end,” she said with an asperity which disturbed slightly the roseate curves of her beautiful mouth.

“Of course he did not know,” murmured Rebecca Ann in a faint tone.

“Of course he did not know it,” said Caroline quickly. She turned on her sister with a strange, sharp look of suspicion. Then she shrank as if from the other’s possible answer.